It
was nineteen fifty-eight A D when it all started. Assigning blame is
easy enough: My sister had no malice in her heart when she did it.
She even asked me what I thought about the idea. I agreed to it. The
question was wonderful for all it promised. I can remember it even
today.
“ If
I bought you a guitar would you learn to play it? “
It
was a Christmas present. It was beyond my wildest expectations. There
is no way to explain what this meant to me. It changed my life I fell
in love with the life at that particular point was chaotic. I had a
severe case of excitement addiction along with typical adolescent
lack of control. I had all the judgment of a typical sixteen year
old: that of a mature hamster. Too much is not enough was my motto.
My grades were terrible, I combed my hair into a D A, wore my pants
“falling off my ass” (my father’s phrase), couldn’t dance,
had trouble talking to girls, was convinced that I was a loser, had
criminals for friends and had only escaped being arrested and
incarcerated due to the grace of an incredibly loving Heavenly Father
who had seen fit to protect me.
Still,
the prospect of an actual musical instrument was enough to wake me
up. When I was eleven or so I heard Carl Perkins play “ Blue Suede
Shoes “ When I heard the hook during the intro, the hair on the
back of my neck stood up. It was way cool. Carl Perkins. He was the
man. Growing up my family listened to lots of country music except
that back then it was called “ Hillbilly Music” not “ Country
and Western”. This was in the days before political correctness.
Lefty Frizzel, Hank Snow Hank Locklin, Gene Autry, Vernon Dalhart,
Hank Williams, Pie Plant Pete, The Missouri Fox Hunters, we knew ‘em
all. Woody Guthrie, Burl Ives, Ernest Tubb, Bob Wills, I mean ALL of
them. Green back dollar, I’m a Bum, The prisoner’s song, Lovesick
Blues, Red Wing, Letter Edged in Black, plus assorted Irish ditties
learned at my grampa’s knee and other low joints. I mean music.
I
loved music even as a child but this was something different. When I
was in kindergarten I heard something similar when a duo of bell
ringers came in to entertain us. The tinkling of the bells was
wonderful! I had the same feeling listening to a guy play the guitar.
It was a new level of experience.
I
also listened to James Burton who played with Rick, (don’t call me
Ricky I’m grown) Nelson. I read somewhere he lived on the Nelson
ranch. My sister bought me a guitar. I didn’t know where to start.
I was in ecstasy. I wanted to be a rockabilly juvenile delinquent but
my parents weren’t having a bit of it. Well, they tried. There is
just something about listening to Gene Vincent that makes me want to
steal hubcaps even today. That’s not to mention the Burnett
brothers who used to write for Rick Nelson. Peggy Sue, Buddy Holly,
and a whole list of one hit wonders. My dad sang all the time. Mostly
hillbilly music from the thirties along with wonderful hymns. There
was lots of music in that house.
America
was still in the death grip of the bread man back in those days and
we had one. He worked for Wonder Bread and once told my mother he was
going to make ten thousand dollars a year delivering bread. This at a
time when a tool and die maker made about half that. Crazy or not he
helped me tune that gem. The first thing I learned was to play a
boogie-woogie riff in the key of F. The rest of it came slowly. Very
slowly.
I
soon found that learning to play the guitar was as good an escape as
reading. I was not good at much with the exception of causing lots of
trouble. I felt like I lacked social skills with girls. I had a first
class case of testosterone poisoning. I was obsessed with girls but
could not talk to them without making an ass of myself. At least
that’s how it felt.
I
didn’t bother with books or any niceties like that. I just went
into my bedroom and proceeded to whack away at the poor guitar. I
eventually sold it for money. The neck had come loose and there was
no one to fix it for me. I then bought a genuine Silvertone with
money I earned working one summer. I got it in the catalogue
department. I took lesions at the local fine arts center and learned
that some guys play with picks and some guys play with their fingers
and fingers are better at least for me. I needed a capo and didn’t
know where to get one so I made one out of a muffler clamp and some
plywood. It was slow to change but very effective. I needed a 5/16
wrench to change the position of it. This is all my sister’s fault,
mind you.
Music
was all such a mystery back then. How could the Everly Brothers get
that sound out of the instrument? I went into Simon’s music store
and played his expensive Gibsons and he didn’t even throw me out.
Thirty five years later his family asked me to play at his funeral. I
cannot tell you all that that man did for me over the years. I used
to listen to his records and then learn the songs on his guitars. I
remember taking an album by Joan Baez into a listening room and
almost crying when I heard her voice. I listened to Leadbelly and
Eddie Cochrane. I listened to Duane Eddy and well all those guys. I
listened to the folk groups and the banjo players. I listened to
Flatt and Scruggs and Bill Monroe. It was great. This was all my
sister’s fault.
A
terrible thing happened about 1959, I heard and saw a 12-string
guitar. A guy came on a local TV show and played “ Nobody knows you
when You’re Down and Out”. It knocked my socks off. I loved the
roar of that instrument. My slide to the bottom was now in overdrive
or freewheeling. I had to have one. It took a while and some more
stuff but it finally happened.
I
discovered the blues and ragtime and Mexican music and Tejano and
Norteno and western swing and I was off and running.
I
found all kinds of guitar players but the ones who affected me the
most were the ragtimers who played finger style. The style was called
grand standing. It was something, let me tell you. This was all my
sister’s fault. Without her I never would have discovered Tampa
Red, Big Bill Broonzy, Josh White, Robert Johnson, Mance Lipscomb,
Jesse “ Lone Cat “ Fuller, Dick Rossmini, Dave “ Snaker “
Ray, or my personal hero, Blind Willie McTell. The list could go on
forever. I played a Gibson 12 string in Edsel Pfabe’s music store
one day. My brother and I had dragged my mother to Cleveland to look
through pawnshops and she went! Willingly! I still remember how it
smelled and felt and most of all sounded. The smell of a new guitar
case is something I can never forget. It had that Gibson pink
interior. It had power and finish and was strung all wrong. Today it
would not meet my standards but my synapses were fresh and unjaded. I
loved it. As I write this I am overwhelmed. There is a joy in music
which we cannot put into words. It is what the religious folks call
pietism. This internal experience. This is why music is called the
highest of the arts. It is sound but stands mute when we try to
describe the internal feeling that it stirs. This is also my sister’s
fault, this beautiful memory.
I’ve
spent lots of money on musical instruments and never gotten any of it
back. Vega, Gibson, Goya, Banzer, Harmony, Kay, Washburn, Stella,
Silvertone, Nameless imported junk, Epiphone, Yairi and a few more
names I cannot currently recall. Heck, I even owned a Martin or two.
Mandolins,
banjos, fiddles, mandola, penny whistles, assorted harmonica, a
couple of drums and various sound reinforcement systems, finger picks
and capos along with lots of strings. I even owned a lap steel Supro
at one time. I paid a whole ten dollars for it. Never could play a
lick on it. Sometimes my family would ask, “ Why did he spend all
that money on that guitar? He could have bought a nice suit or
something.” My sister’s reply was, “ Because he has his
priorities in order." I loved them all but I only have a few of
them now. You get the point. They come and go but I like them all.
I
have had several guitars made for me and now no longer feel the need
to have that done. I just want a good instrument to play. If I could
find a model with built in talent I would buy it.
Don
Banzer was a guy from Wichita, Kansas who moved to Ashtabula because
the National Guard unit here didn’t have new equipment and
therefore was unlikely to be called up to go to Vietnam. His unit in
Kansas had lots of new shinny stuff. He had the feeling they were
going and he liked life in the States. He had fallen in love with the
guitar a few years before this and eventually turned to making them.
He started with classical guitars and then talked me into letting him
build one for him. What does this have to do with my sister, you
might ask? I’ll tell you what.
When
Don was building this guitar I learned a good bit about Hungarian
cooking. You see, he had married a girl from Hungary and I spent so
much time at their house that Agi started feeding me like I was the
family cat or something. They fed me so much, he could have claimed
me on his income tax. It was “ nem yo “ as the Hunkeys say. Not
good. This is also my sister’s fault as he fed me so much that he
couldn’t have made any money on the deal.
He
got the wood from a local guy who had some black walnut from a tree
on the family property. He bought an axe handle that was hickory and
used it to reinforce the mahogany neck. He got the wood for the top
by going through an entire load of redwood boards at a local
lumberyard. It had lots wrong with it cosmetically but it had soul.
Lots and lots of soul. I wrote my first song on that guitar. It was
full of angst. I am embarrassed at the sentimentality in it when I
think of it today. He built me three more but today I only have the
one. It is enough, I think. I love that instrument as much for the
man who built it as for the instrument itself. I took it with me to
Nova Scotia. I was a hero up there. A hero, I tell you! But not for
long. I came back from vacation and all was normal.
I’ve
met lots of interesting people due to music. I lived in Frisco back
in the sixties and didn’t have the brains to go meet Jesse Lone Cat
Fuller. Nuff said. I missed the one guy who was my hero. Well, Blind
Willie McTell is really but most musicians won’t go to a séance
and I would have to because he’s dead.
I
finally found a way to get even with the help of my friend Don. He
had access to lots of instruments and got me a tremendous deal on an
auto harp. It was an Oscar Schmidt as I recall. I got it for my
sister. It worked, too. Like a wino is attracted to port or
Thunderbird (an aperitif wine if there ever was one) my sister has
been drawn into the world of wooden containers with strings on them
into which you pour money which you will only get back if you live to
be Methuselah and it becomes an antique. She has also started hanging
out with dulcimer players. She now has three instruments. She has
traveled great distances to spend money on these instruments. She
goes to festivals. She knows what it is like to struggle with
technique and tuning and an instrument that needs to be exorcised or
decontaminated. I am certain she has looked at an instrument and
considered throwing as one would a discus, being careful not to step
outside the ring and hoping the trash container would not tip over
when the beast landed in it. But then the ultimate happened.
Her
most recent instrument was built for her. I don’t know what you
call guys who make autoharps (and don’t say Oscar Schmidt, either)
but she had discussions about chords and where they should be and
major and minor and all kinds of Autoharp stuff.
I
just know they sound like a cross between bells and harps and grand
pianos. I reckon she is having about as much fun as a person can
without breaking the law but we are still not even.
There
is no way I could begin to approximate what she did for me. Music
will get you through tough times and loneliness and fear and joy and
what ever might ail you at any given time. I got to play at George
Simon’s funeral at his family’s request. I got to play at Don’s
going away party too. When we were leaving the cemetery one of the
other pallbearers said to me “ Well, there goes my lifetime
guarantee on that guitar he built me.”
How
could there be more than that? I’ve played at weddings and the
results were mixed. Sometimes there is a divorce, sometimes not. But
it is all thanks to my sister with whom I shall never be even when it
comes to the joy she inadvertently brought me.
Sitting
in my mother’s kitchen about two years before she died, I was
playing “ The Fields Behind the Plow”, a song about planting
crops. My mother said to me, “ I’m glad you have had music in
your life because it is such a source of comfort to you.” I didn’t
think to tell her all this but I am certain she knows.
Thanks,
Kay. Thanks, Mom.